However, a current storyline co-written by Geoff Johns and Superman director Richard Donner presents yet another version of Krypton which reintroduces the General Zod and the Phantom Zone criminals into mainstream continuity. With art by Adam Kubert, the design of Kryptonian society is distinct yet again from Birthright, incorporating elements of both pre-Crisis on Infinite Earths continuity and Donner's work on the first two Christopher Reeve films, in particular the notion of Krypton's Council threatening Jor-El with harsh punishment were he to make public his predictions of their planet's imminent doom. Whether this further revision of continuity has an in-universe rationale is as yet unknown, but it may stem from continuity changes wrought by the reality-fracturing conclusion of Infinite Crisis.
The Planet Of Doom Movie Download Hd
With the release of the first feature-length Superman movie in 1978, a vastly less idyllic image of Krypton, compared to the previous comics' versions, was presented. Whereas in the comics, Krypton was colorful and bright, in Superman: The Movie, the planet was envisioned as having stark white terrain of jagged frozen plateaus, stretching broadly under heavy, dark skies.
The 2006 movie Superman Returns presents a version of Krypton almost identical to Superman: The Movie (since Superman Returns is more or less set in the same continuity as Superman: The Movie). In the beginning of the film, scientists discover remains of Krypton, and Superman leaves Earth for five years to look for it. His ship is seen leaving the dead planet. In the shooting script for the film (under the production title "Red Son", Lex Luthor reveals to a weakened Superman that his henchman actually set Superman up to space by sending false signals.
A Maya city lost for a thousand years under the jungle comes to life. Planetarios Digitales has produced, with support from Mexican National Council of Science and Technology (CONACYT), this fulldome program that is available to the IPS community for free. Trailer in Spanish at =Y7F0zZMmx0A but full English versions available. Files are hosted in several playable formats and available through mediafire. Free licenses may be downloaded, printed, filled, signed, scanned, and then sent to jminchaca@planetariosdigitales.com for the links full program. More info at -shows/the-secret-of-calakmul/. January 2016 (release date).
Cosmonaute 360 is a series of short films for children, from Dessignare Media, designed specifically for exhibition in educational spaces such as museums, planetariums and new media festivals. This project proposes to initiate interactive experiences between children and tutors through dynamics that foment new methods of education. The web page has a form for requesting license of the content. After registration, a link is provided via email to access a downloadable folder with the video and materials such as a poster, images, and trailer videos. See -360-fulldome-show.html. May 2019.
Fulldome (DigitalSky2.3) adaptation of "Invisible Mars" from the NASA MAVEN Mission to Mars. If you aren't running DigitalSky in your theater, you can still download the assets and adapt the show for your platform. The media consists of some 2x1 Equatorial Cylindrical Equidistant textures (of Mars, Earth, and the sun), a few images, and a couple of MP4 movies. For DigitalSky, I wrapped the textures onto dummy sphere objects in the planetarium to simulate viewing the Science On a Sphere in the dome. The "InvisibleMars_Content.zip" file in the link have all the assets (including the presenter script) you need for adapting the show. For more about MAVEN and its outreach programs, go to lasp.colorado.edu/home/maven/education-outreach/afterschoolsummer-programs/invisible-mars/. Enjoy! Please drop me a line at tkomatsu (at) berkeley (dot) edu if you decide to use the program, adapt it, or have questions. From Toshi Komatsu, The Lawrence Hall of Science
These planetarium dome animations were created to celebrate the 50th anniversary of the Apollo mission. To download, first subscribe to the "Apollo News" list server: After subscribing, you will get a confirmation email; once you respond to that, it will send a final welcome message with the links and password to the download site. Users who need 4K or 60 fps versions should then contact Dr. Reiff to get the dropbox links to the higher resolution animations. 28 May 2019.
Loch Ness Productions Bonus Shows. Some of these shows have no license fees, and are available for download. For others, Loch Ness may charge for making the movie encodes, and/or the media they ship them on. _shows.html. 26 March 2015.
This is a collection of media and tools, which includes 360 spherical images/videos using equirectangular warping. The media here should be usable by most digital planetarium systems, headset Virtual Reality, and smartphone VR setups, with minimum extra work to import them. There are also some true, interactive VR experiences listed on this page. Files are downloadable at -video
After discovering that the sixers had encamped around Castle Anorak using the impenitrable shield, the Orb of Osuvox near the end of the story, Wade decides to infiltrate IOI as an indentured servant. By modifying his aliases financial status to being indebted to IOI for tens of thousand dollars. Wade successfully manipulates IOI into abducting and forcing him to work off his debt. He is given a help-desk position much like his old job, but without the freedoms of being able to watch movies or do anything else on the job. Using IOI Intranet Access Passwords, Back Doors, and System Exploits he acquired from a former IOI contract programmer he had contacted on L33t Hax0rz Warezhaus, he was able to hack the IOI database and download nearly ten zettabytes of information relevant to the hunt and other gunters who posed a threat to IOI winning the contest. These gunters were Aech, Art3mis, Akihide Karatsu (Shoto) and Toshiro Yoshiaki (Diato). Diato's name had a large X over his file, this signified that he had already been killed at the hands of IOI. Wade downloaded all of the information he had found onto a flash drive. He also requisitioned a figurative time bomb to be delivered and detonated inside the shield next to the level 99 wizard (who was powering the shield) at a later date in order to take it down. Once he had successfully done this, he zeroed his account (wiping out his debt) and disabled the locking mechanisms on his earcam and security anklet, allowing him to slip past IOI security guards. Once he escaped, he resumed his original identity as Wade Owen Watts and removed all records of existence for Bryce Lynch.
Xbox Live is a thriving online game community, connecting more than 3 million members across nearly 25 countries to enjoy hundreds of social games, as well as on-demand game demos, Xbox Live Arcade games, and music and movie content. With more than 10 million downloads to date and nearly 100 independent, classic and original development titles available by next summer, Xbox Live Arcade is a fast-growing phenomenon.
Xbox Live is the first and only unified online entertainment network seamlessly integrated throughout the entire console experience, making it easy for people to find the friends, games and entertainment they want from the moment they power on their Xbox 360 system. Xbox Live connects millions of members across nearly 25 countries to enjoy hundreds of multiplayer games, downloadable games via Xbox Live Arcade, free and premium playable game demos, music videos, and movie trailers, as well as new game levels, characters and vehicles for all their favourite retail games. More information can be found online at -us/live.
Television and motion pictures that depict spaceflight have great power to shape public conceptions of travel between the planets and stars, despite audience awareness that thetechnologies shown are the spurious result of special effects technologies, rather than beingrepresentations of reality. A very few films have attempted to be realistic in all senses of theterm, but they are greatly outnumbered by others that are fantastic in violating the laws ofscience while projecting exciting images. In addition, the relative popularities of different kindsof spaceflight films speak volumes about what travel beyond the Earth already means toAmerican audiences. This chapter will organize much of the discussion around the equivalentof questionnaire survey data, the ratings given by tens of thousands of people to 80 spaceflightmovies in the Netflix recommender system, augmented by data from the Internet MovieDataBase, and intensive qualitative analysis of specific examples such as the movie DestinationMoon and the television series Babylon 5. 2ff7e9595c
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